2016: excavation review themes
After six annual marathons captured in “what Martha has seen” lists of theater and film adventuring (2011, 2012, 2013, 2014, 2015, 2016), I’ve learned a few things. I’ve learned that […]
Why Does a Play About the Internet Have a Realistic Set?
[article as originally published at TDF Stages, December 13, 2016.] The meaningful space of Tiny Beautiful Things. It might be about strangers communicating on the vast and anonymous internet, but […]
After Orlando: International Rapid Response Theatre
[article as originally published in Exeunt Magazine, December 12, 2016.] [Featured image caption: After Orlando reading in St. Louis, Missouri November 14, 2016. “Dance On” by Ian Rowlands. Image by […]
“Pop!”-Up Theater Extends Venues and Audience Experiences
[Original published in The Clyde Fitch Report, November 15, 2016.] [featured image caption: A Scandal at the Table, September 24, 2016 at Hell Phone. Photo: Edward Morris.] “I wanted people to […]
dramaturg as producer | KELLY KERWIN
[article originally published in LMDA’s newsletter New & Noteworthy Issue 2.2 November 2016. A longer version of this interview appears in The Clyde Fitch Report.] [featured image caption: A Scandal at the […]
Hamilton: A Critics’ Dialogue
[I am one voice among many in this article originally published by “Exeunt Staff” in Exeunt Magazine, October 31, 2016. All New York production photos by Joan Marcus.] Overwhelming levels […]
LMDA Regional Spotlight: Mark Bly and Heather Helinsky in New York
[article originally published in LMDA’s monthly newsletter New & Noteworthy Issue 2.1 October 2016.] Two leading names in U.S. dramaturgy from two different generations – LMDA founder Mark Bly and established […]
Semicolon Theatre Offers Young Artists a Stage
[article as originally published in The Clyde Fitch Report, October 11, 2016.] It’s a great privilege to be present at the beginning of a long term personal and professional relationship. […]
Stretching the Canvas in Ethan Lipton’s Tumacho
[article originally published in HowlRound, September 6, 2016.] Playwright and lyricist Ethan Lipton creates fun theatrical worlds and lyric-driven music about socially-relevant topics. In Red Handed Otter, for example, produced by The […]
They Knew Gun Violence. Now They Know Hope.
[article as originally published at TDF Stages, August 31, 2016.] A new play uses the real words of gun violence survivors — How does forgiveness emerge in the aftermath of […]
In Chicago, Refining the Cultural and Critical Lens
[article originally published in The Clyde Fitch Report, August 31, 2016.] Willa Taylor reflected on her philosophy of building education programs for young people in theater: I wasn’t really interested […]
WP Lab, Pipeline Festival, and Honing the Questions
[article originally published with a slightly different title in The Clyde Fitch Report, July 19, 2016.] The Women’s Project (WP) Theater has produced plays by women for almost 30 […]
PlayPenn’s Rent-a-Dramaturg program: It’s dramaturgy to go at PlayPenn
[article as originally published in Broad Street Review, July 12, 2016.] PlayPenn 2016 Conference. New play readings through July 24, 2016 at the Drake, 302 S. Hicks St., Philadelphia. (215) 242-2813 or playpenn.org. Dramaturgs […]
Shared Vocabulary and Puppetry in Ramesh Meyyappan’s Butterfly
[Original published in HowlRound, June 21, 2016.] Theatremaker Ramesh Meyyappan has opinions about the cultural position of “deaf” or “signed” theatre and its role in his own art including his […]
“Ugly Little Sister” From Page to Stage
[article originally published in The Clyde Fitch Report, May 24, 2016.] I started my recent phone conversation with Charlotte Miller parsing her Lee Strasberg Theatre & Film Institute (LSTFI) commission project Ugly […]
Prizes and Reports Both Address Parity
[article originally published in The Clyde Fitch Report, April 13, 2016.] Data collection and advocacy efforts to count, sort and assess parity in theater production continue apace. But counting is only […]
urban excavations 