[article originally published in HowlRound, June 12, 2018.] The Rest I Make Up is a poetic rumination by filmmaker Michelle Memran about playwright María Irene Fornés, now in her late 80s and living with late-stage Alzheimer’s. […]
[Full article published in The Theatre Times, May 12, 2018.] GOODMAN’S RESIDENT DRAMATURG ON HOW HER WORK GIVES TEXTURE AND SPECIFICITY TO A PRODUCTION. Consider the riddle of Neena Arndt’s work at the Goodman Theatre in […]
[article originally published in HowlRound, May 2, 2018.] Several coincidences align to admit me to design meetings, workshop readings, and rehearsal rooms for One Thousand Nights and One Day[OTNAOD], a musical based on Jason Grote’s […]
[Full article published in TDF Stages, April 24, 2018.] How Lucy Thurber’s new drama was inspired by a pair of her pupils Obie-winning playwright Lucy Thurber is as interested in talking about her […]
[Full article published in TDF Stages, March 30, 2018.] Playwright Abby Rosebrock tries to work that out in Dido of Idaho Abby Rosebrock did sketch comedy and worked in academia before becoming a performer-playwright. She was most […]
[Full article published in TDF Stages, February 23, 2018.] Tony-winning designer David Zinn creates a playful medieval world for The Amateurs David Zinn created an underwater extravaganza by designing the sets and costumes for […]
[Full article published in TDF Stages, January 25, 2018.] Balls uses a legendary game to examine gender inequality It’s fitting that a coed creative team decided to theatricalize the 1973 “Battle of the […]
[Full article published in TDF Stages, January 11, 2018.] How director Daniel Sullivan is helping the actor honor his father Tony-winning director Daniel Sullivan is known for helming complex, multicharacter plays on Broadway, […]
[article as originally published in TDF Stages, September 18, 2017.] MCC Theater’s new drama focuses on a one-of-a-kind charm school — Northlight Theatre‘s artistic director, BJ Jones, was so taken with a 2012 Chicago […]
[article originally published in Prologue (the OSF member magazine), Fall 2017 .] Two playwrights, Kate Hamill and Karen Zacarías, prove that female characters are limited neither by their senses nor their destiny. Two […]
