[Full article published in Dramatics on-line and appeared in the April 2019 print issue of Dramatics.] AS AUDIENCE MEMBERS, we may imagine that set, light, projection, sound, and costume designs are executed and then solidified, remaining […]
[Full article published in The Clyde Fitch Report, March 23, 2019.] Playwright-actor Halley Feiffer is currently shouldering both of her hyphenated roles in The Pain of My Belligerence, a world premiere running at Off-Broadway’s […]
[Full article published in Dramatics on-line and appeared in the August/September 2018 print issue of Dramatics.] ERAN KOLIRIN’S 2007 film, The Band’s Visit, is set in the deeply political geography of rural Israel in […]
[Full article published in The Clyde Fitch Report, February 24, 2019.] Fitz Patton is a Drama Desk and Lortel-winning composer and sound designer who has built an extensive and varied body of work on Broadway, Off-Broadway and […]
[Full article published in The Clyde Fitch Report, January 20, 2019.] In a previous series of CFR stories called Critical I, theater critics were asked to reflect on their work — what is relevant; who […]
I squeezed adventures in Norway, Sweden, the wilds of central Wisconsin, Georgia, Massachusetts, and Rhode Island into 2019, a year of paring, sifting and sorting of involvement on professional boards and continuing […]
[Full article published in The Clyde Fitch Report, August 21, 2018.] On Mon., Aug. 27, a 12-hour marathon of staged readings at Public Theater will celebrate the life and work of Cuban-born playwright Maria Irene […]
[Full article published in TDF Stages, July 17, 2018.] How Superstorm Sandy changed the trajectory of Fire in Dreamland Playwright Rinne Groff is obsessed with the obsessed, whether it’s an inventor’s struggle to […]
[article originally published in HowlRound, June 12, 2018.] The Rest I Make Up is a poetic rumination by filmmaker Michelle Memran about playwright María Irene Fornés, now in her late 80s and living with late-stage Alzheimer’s. […]
[Full article published in The Theatre Times, May 12, 2018.] GOODMAN’S RESIDENT DRAMATURG ON HOW HER WORK GIVES TEXTURE AND SPECIFICITY TO A PRODUCTION. Consider the riddle of Neena Arndt’s work at the Goodman Theatre in […]
