formal live performance reviews.
[Full article published in The Clyde Fitch Report, April 27, 2018.] On the page, Eugene O’Neill’s mammoth and imperfect four-act play The Iceman Comethcomes at you through a series of monologues, some raucous camaraderie, […]
[Full article published in The Clyde Fitch Report, April 17, 2018.] “When I was young I was taught by my grandmother to listen to the night.” The shirtless and magnificent Sahr Ngaujah kicks off and […]
[Full article published in The Clyde Fitch Report, April 12, 2018.] Sarah Norman, played by the luminous and graceful Lauren Ridloff in the new Broadway revival of Mark Medoff’s 1979 play, Children of a Lesser […]
[Full article published in The Clyde Fitch Report, March 31, 2018.] Director Joe Mantello has crafted an exquisite waltz of a revival of Edward Albee’s 1994 Pulitzer Prize-winning Three Tall Women, in which three phases of an […]
[article as originally published in The Clyde Fitch Report, March 15, 2018.] Lincoln Center Theater’s Mitzi Newhouse stage this season has hosted two serious ruminations on the challenges of parenting and navigating the […]
[article as originally published in Theater Pizzazz, March 1, 2018.] “What if I told you it’s going to be alright? … What if I told you it began tonight?” Somewhere on a continuum […]
[article as originally published in The Clyde Fitch Report, February 27, 2018.] “The problem is not the Jamaat,” one character declares. “The problem is this family.” “We’ve lost, Dad. There’s nothing for us […]
[article as originally published in The Clyde Fitch Report, February 20, 2018.] In the new play by Sarah Burgess, hyper-aggro sound design nearly ruins the storytelling. Playwright Sarah Burgess plums politics for her newest play Kings at […]
[article as originally published in The Clyde Fitch Report, January 30, 2018.] Memories of her white grandfather animate the 86-year-old legend’s first play in a decade. Details of her own rich biography are […]
[article as originally published in The Clyde Fitch Report, January 19, 2018.] A quiet contemplation of America’s newly energized racist past In her resonant work Forever, first staged at Center Theatre Group in 2014 and […]
