
The Asterisked 2019-2020 Season: Drama Desk Nominations in the Time of the Virus
[A full listing of the 2019-2020 Drama Desk nominations appears here and here (as PDF) — the product of 11 months of effort, given with love for the art form […]
fragments inspired by stage and screen
[A full listing of the 2019-2020 Drama Desk nominations appears here and here (as PDF) — the product of 11 months of effort, given with love for the art form […]
[Originally posted at RDU On Stage April 12, 2020. Martha Wade Steketee and Lauren Van Hemert in conversation.] My colleague Lauren Van Hemert has an active theater web site and […]
[Full article published in Dramatics Magazine April 6, 2020. By Martha Wade Steketee and Anita Martin.] SOUND DESIGNER Palmer Hefferan has noticed that, when watching a theatrical production, people have a […]
My travels this year were limited compared to travel in prior years: several days in Washington DC (where i lived in the late ’90s and early 2000s), ATCA-related trips to […]
I lived thousands of hours in roving artistic communities that move from theater to reading room to cabaret venue in the course of 2019. By my rough count, during 2019 […]
[Full interview originally published in Contemporary Theatre Review, Backpages 29.2, August 5, 2019.] Martha Wade Steketee spoke with filmmaker Michelle Memran and film editor Melissa Neidich in October 2018 about […]
When I was 10 years old in East Grand Rapids, Michigan, I was in a class at Wealthy Street Elementary School comprised of kids selected for their smarts (maybe) and to […]
[Full article published in Dramatics on-line and appeared in the April 2019 print issue of Dramatics.] AS AUDIENCE MEMBERS, we may imagine that set, light, projection, sound, and costume designs are executed and then […]
[Full article by Martha Wade Steketee published in The Clyde Fitch Report, March 23, 2019.] Playwright-actor Halley Feiffer is currently shouldering both of her hyphenated roles in The Pain of My […]
[Full article published in Dramatics on-line and appeared in the August/September 2018 print issue of Dramatics.] ERAN KOLIRIN’S 2007 film, The Band’s Visit, is set in the deeply political geography of rural […]
[Full article published in The Clyde Fitch Report, February 24, 2019.] Fitz Patton is a Drama Desk and Lortel-winning composer and sound designer who has built an extensive and varied body of […]
[Full article published in The Clyde Fitch Report, January 20, 2019.] In a previous series of CFR stories called Critical I, theater critics were asked to reflect on their work — […]
I squeezed adventures in Norway, Sweden, the wilds of central Wisconsin, Georgia, Massachusetts, and Rhode Island into 2018, a year of paring, sifting and sorting of involvement on professional boards […]
[Original published in The Clyde Fitch Report, August 21, 2018.] On Mon., Aug. 27, a 12-hour marathon of staged readings at Public Theater will celebrate the life and work of Cuban-born playwright […]
[Originally published in TDF Stages, July 17, 2018.] How Superstorm Sandy changed the trajectory of Fire in Dreamland Playwright Rinne Groff is obsessed with the obsessed, whether it’s an inventor’s […]
[Original published in HowlRound, June 12, 2018.] The Rest I Make Up is a poetic rumination by filmmaker Michelle Memran about playwright María Irene Fornés, now in her late 80s and living with late-stage […]