How a Tennis Match Changed the Conversation
[Full article published in TDF Stages, January 25, 2018.] Balls uses a legendary game to examine gender inequality It’s fitting that a coed creative team decided to theatricalize the 1973 “Battle […]
When John Lithgow Called, He Said Yes
[Full article published in TDF Stages, January 11, 2018.] How director Daniel Sullivan is helping the actor honor his father Tony-winning director Daniel Sullivan is known for helming complex, multicharacter plays […]
Teaching Manners to Build a Community
[article as originally published in TDF Stages, September 18, 2017.] MCC Theater’s new drama focuses on a one-of-a-kind charm school — Northlight Theatre‘s artistic director, BJ Jones, was so taken with […]
Women in Charge
[article originally published in Prologue (the OSF member magazine), Fall 2017 .] Two playwrights, Kate Hamill and Karen Zacarías, prove that female characters are limited neither by their senses nor their […]
Are You Ready for a Resurrection?
[article as originally published in TDF Stages, September 13, 2017.] How a multimedia artist is bringing a Long Island family back to life — Alison S. M. Kobayashi has an offbeat […]
An Experimental Argument: Ethan’s Lipton’s Outer Space Odyssey Toward a Sustainable Life
[article originally published in HowlRound, September 8, 2017.] Ethan Lipton has assembled a creative family of musicians and designers who have worked with him on a series of projects in New York […]
Theater Critic Helen Shaw: Monster in the Audience
[article as originally published in The Clyde Fitch Report, July 20, 2017.] Debates about cultural criticism question its relevance, who is and is not a critic, and the audience for critical writing. We […]
A Collective Call Against Critical Bias
I am one voice among two dozen signatories to this piece that addresses selected critical response to several New York shows in the 2016-2017 season, and raises some questions about […]
Cultural Omnivore, Arts Critic: The Vanguard of Jose Solis
[article as originally published in The Clyde Fitch Report, June 25, 2017.] Debates about cultural criticism question its relevance, who is and is not a critic, and the audience for critical […]
NICHOLAS ROHLFING | Entertainment Lawyer and LMDA
[article originally published in LMDA’s monthly newsletter New & Noteworthy Issue 2.8 May 2017.] LMDA recently entered into an agreement with Attorney Nicholas Rohlfing, who represents a range of clients in […]
Parity, Politics, and Survival: WiTFESTNYC 2017
[article as originally published in The Brooklyn Rail, June 2017, posted May 28, 2017.] This June, the Women in Theatre Festival (with its creatively capitalized WiTFESTNYC tag) will unfurl its […]
How Diep Tran Hones Her Theater Criticism — With Anger
[article as originally published in The Clyde Fitch Report, May 25, 2017.] It is fashionable to debate the importance of cultural criticism. The debate questions what criticism is and who […]
Making More Space for Latinx Artists
[article as originally published in TDF Stages, May 5, 2017.] The Sol Project returns with a new production — A traumatized doctor named Moisés sits in a washtub filled with pineapples […]
Finding the Personal in the Political
[Full article published in TDF Stages, May 1, 2017.] How one social justice theatre company uses real-life stories to inspire its art — Last summer, Houses on the Moon, a socially focused, […]
Roundtable: Is Jesse Green the right choice for the New York Times?
[I am one voice among many in this article originally published by “Exeunt Staff” in Exeunt Magazine, April 10, 2017.] As yet another white man is hired to the most prestigious job in US theatre criticism, Exeunt’s New York writers ask when the conversation will really change. After theater critic Charles Isherwood was fired, the New York Times announced […]
Chris Rawson, Theater Critic, On Honoring August Wilson
[article as originally published in The Clyde Fitch Report, March 12, 2017.] It is fashionable to debate the importance of cultural criticism. The debate questions what criticism is and who is […]
