[article as originally published in The Clyde Fitch Report, June 25, 2017.] Debates about cultural criticism question its relevance, who is and is not a critic, and the audience for critical writing. We […]
[article originally published in LMDA’s monthly newsletter New & Noteworthy Issue 2.8 May 2017.] LMDA recently entered into an agreement with Attorney Nicholas Rohlfing, who represents a range of clients in the entertainment […]
[article as originally published in The Brooklyn Rail, June 2017, posted May 28, 2017.] This June, the Women in Theatre Festival (with its creatively capitalized WiTFESTNYC tag) will unfurl its second year […]
[article as originally published in The Clyde Fitch Report, May 25, 2017.] It is fashionable to debate the importance of cultural criticism. The debate questions what criticism is and who is and […]
[article as originally published in TDF Stages, May 5, 2017.] The Sol Project returns with a new production — A traumatized doctor named Moisés sits in a washtub filled with pineapples that he […]
[Full article published in TDF Stages, May 1, 2017.] How one social justice theatre company uses real-life stories to inspire its art — Last summer, Houses on the Moon, a socially focused, community-committed theatre […]
[I am one voice among many in this article originally published by “Exeunt Staff” in Exeunt Magazine, April 10, 2017.] As yet another white man is hired to the most prestigious job […]
[article as originally published in The Clyde Fitch Report, March 12, 2017.] It is fashionable to debate the importance of cultural criticism. The debate questions what criticism is and who is and is […]
[article as originally published in TDF Stages, March 1, 2017.] A new play takes on William Kunstler — Playwright Jeffrey Sweet was inspired by a shock of hair and a lanky swagger. “It started […]
[article as originally published in The Clyde Fitch Report, February 28, 2017.] Poetry, design concepts, political themes and strong female characters distinguish the work of playwright and activist Catherine Filloux. My first […]
