[article as originally published in The Clyde Fitch Report, July 20, 2017.] Debates about cultural criticism question its relevance, who is and is not a critic, and the audience for critical writing. We believe critics themselves must not be sidelined from these debates. In… Read More ›
I am one voice among two dozen signatories to this piece that addresses selected critical response to several New York shows in the 2016-2017 season, and raises some questions about the range of critical voices addressing contemporary American theater. The… Read More ›
[article as originally published in The Clyde Fitch Report, June 25, 2017.] Debates about cultural criticism question its relevance, who is and is not a critic, and the audience for critical writing. We believe critics themselves must not be sidelined from… Read More ›
[article originally published in LMDA’s monthly newsletter New & Noteworthy Issue 2.8 May 2017.] LMDA recently entered into an agreement with Attorney Nicholas Rohlfing, who represents a range of clients in the entertainment community, changing custom and practice for his clients…. Read More ›
[article as originally published in The Brooklyn Rail, June 2017, posted May 28, 2017.] This June, the Women in Theatre Festival (with its creatively capitalized WiTFESTNYC tag) will unfurl its second year of programming, helmed by Project Y Theatre Company… Read More ›
[article as originally published in The Clyde Fitch Report, May 25, 2017.] It is fashionable to debate the importance of cultural criticism. The debate questions what criticism is and who is and is not a critic, challenges us to imagine… Read More ›
[article as originally published in TDF Stages, May 5, 2017.] The Sol Project returns with a new production — A traumatized doctor named Moisés sits in a washtub filled with pineapples that he repeatedly crushes open and bites into. A badly… Read More ›
[Full article published in TDF Stages, May 1, 2017.] How one social justice theatre company uses real-life stories to inspire its art — Last summer, Houses on the Moon, a socially focused, community-committed theatre company, began developing a pair of projects about gun… Read More ›
[I am one voice among many in this article originally published by “Exeunt Staff” in Exeunt Magazine, April 10, 2017.] As yet another white man is hired to the most prestigious job in US theatre criticism, Exeunt’s New York writers… Read More ›
[article as originally published in The Clyde Fitch Report, March 12, 2017.] It is fashionable to debate the importance of cultural criticism. The debate questions what criticism is and who is and is not a critic, challenges us to imagine what… Read More ›
