[Full article published in The Clyde Fitch Report, December 6, 2018.] The countdown clocks are everywhere at the Belasco Theatre these days. Whether on a screen or presented verbally by characters playing TV technicians or embodied by […]
[Selection from November 2018 report, published November 14, 2018 and updated November 26, 2018 on League of Professional Theatre Women’s Women Count project page.] EXECUTIVE SUMMARY: WOMEN COUNT IV, 2013-14 THROUGH 2017-18 Since 2014, the […]
[Full article published in The Clyde Fitch Report, November 14, 2018.] It is hard to appreciate a play meant to capture a self-promoting sociopath’s rise to power, especially a broad, biting political satire, when […]
[Full article published in The Clyde Fitch Report, October 26, 2018.] After a half-century absence, Elaine May has returned to Broadway, only to fade away before our eyes. Each beat of Kenneth Lonergan’s […]
Funny Girl is a late 20th-century show built on the bones of the singular performer Barbra Streisand. This musical with a grand set list that has moved into the Great American […]
[Full article published in The Clyde Fitch Report, October 17, 2018.] As Isabelle Arc, Glenn Close is a no-nonsense, straight-talking, country woman. She speaks to us from France in the early 1400s amid […]
[article as originally published in Theater Pizzazz, October 15, 2018.] What happens when private business interests align with public interests, and public servants determine to destroy existing communities for commercial gain? There are […]
[Full article published in The Clyde Fitch Report, September 26, 2018.] A search for an absent father and finding solace on the stage are both captured beautifully in Teresa Rebeck’s new play Bernhardt/Hamlet. The problem […]
[Full article published in The Clyde Fitch Report, September 21, 2018.] The spine of Sharr White’s new play The True, produced Off-Broadway by The New Group, is the whir of a sewing machine. It’s the tool of […]
[article as originally published in Theater Pizzazz, September 19, 2018.] The show starts on the stairs at 54 Below. Twice in the past few weeks, these aural pre-shows have been somber celebrations of […]
