I squeezed adventures in Norway, Sweden, the wilds of central Wisconsin, Georgia, Massachusetts, and Rhode Island into 2019, a year of paring, sifting and sorting of involvement on professional boards and continuing […]
Live and filmed performances, as well as readings of works in progress, filled my days in calendar year 2018. I usually attend solo, and yet often host my spouse or theater-obsessed friends […]
Simplifying, complicating, simplifying again. This has been a year of expanding and paring involvement on professional boards and projects, resuming old roles and assuming new ones. I continue into 2018 on the […]
Public performances in calendar year 2017, live or filmed, were many and thrilling, with new talents and old familiars, in large venues and intimate spaces. By my rough count, during 2017 I […]
I am one voice among two dozen signatories to this piece that addresses selected critical response to several New York shows in the 2016-2017 season, and raises some questions about the range […]
After six annual marathons captured in “what Martha has seen” lists of theater and film adventuring (2011, 2012, 2013, 2014, 2015, 2016), I’ve learned a few things. I’ve learned that sometimes theater […]
[featured image caption: Times Square. Screen capture from opening sequence of Babes on Broadway (1941).] Public performances in calendar year 2016, live or filmed, were many and thrilling. I viewed new talents and […]
Chance Magazine issue 3 subscriber cover title line. Issues 3 and 4 of Chance were completed, printed, and delivered to subscribers and newsstands in 2014. I have now accumulated four years of […]
1951 session with Florence Vandamm (far right) and on stage (L-R) John Emery + Katharine Cornell + Brian Aherne in “The Constant Wife” — part of the 2013-2014 NYPL exhibit “Pioneering Poet […]
Drama Desk presents: Why Shakespeare? Why Now? Moderated by Carol Rocamore Panelists Julie Taymor, Daniel Sullivan, Scott Shepherd, Michael Pennington, John Glover Friday, April 4, 2014 at 11:45am Sardi’s Eugenia room, 234 West 44th Street “It’s like […]
