[Full article published in The Clyde Fitch Report, March 23, 2019.] Playwright-actor Halley Feiffer is currently shouldering both of her hyphenated roles in The Pain of My Belligerence, a world premiere running at Off-Broadway’s […]
[Full article published in The Clyde Fitch Report, February 24, 2019.] Fitz Patton is a Drama Desk and Lortel-winning composer and sound designer who has built an extensive and varied body of work on Broadway, Off-Broadway and […]
I squeezed adventures in Norway, Sweden, the wilds of central Wisconsin, Georgia, Massachusetts, and Rhode Island into 2019, a year of paring, sifting and sorting of involvement on professional boards and continuing […]
Live and filmed performances, as well as readings of works in progress, filled my days in calendar year 2018. I usually attend solo, and yet often host my spouse or theater-obsessed friends […]
[Full article published in The Clyde Fitch Report, December 6, 2018.] The countdown clocks are everywhere at the Belasco Theatre these days. Whether on a screen or presented verbally by characters playing TV technicians or embodied by […]
[Full article published in The Clyde Fitch Report, October 26, 2018.] After a half-century absence, Elaine May has returned to Broadway, only to fade away before our eyes. Each beat of Kenneth Lonergan’s […]
[Full article published in The Clyde Fitch Report, October 17, 2018.] As Isabelle Arc, Glenn Close is a no-nonsense, straight-talking, country woman. She speaks to us from France in the early 1400s amid […]
[Full article published in The Clyde Fitch Report, September 21, 2018.] The spine of Sharr White’s new play The True, produced Off-Broadway by The New Group, is the whir of a sewing machine. It’s the tool of […]
[Full article published in The Clyde Fitch Report, August 21, 2018.] On Mon., Aug. 27, a 12-hour marathon of staged readings at Public Theater will celebrate the life and work of Cuban-born playwright Maria Irene […]
[Full article published in The Clyde Fitch Report, August 17, 2018.] There’s a moment early in the first act of Pretty Woman: The Musical — adapted by the late Garry Marshall and J.F. Lawton from Lawton’s […]
