
2022: excavation review
2022 was a continued return to viewing on line and in person theater, collaborating on theater, counting theater productions, and coalition-building on behalf of theater. The exhaustive (and exhausting) list […]
fragments inspired by stage and screen
2022 was a continued return to viewing on line and in person theater, collaborating on theater, counting theater productions, and coalition-building on behalf of theater. The exhaustive (and exhausting) list […]
The 58th Henry Hewes Design Award Honors were announced September 28, 2022 and celebrated during a live-streamed awards ceremony October 24, 2022, hosted by committee chair and ATCA member Jeffrey […]
In 2021 — our year of continued recovery from a viral pandemic, from a devastating presidential term, from professional and social recalibrations — theater professionals including dramaturgs and critics have […]
This theatrical season will always have an asterisk. The COVID-19 pandemic closed down Broadway theaters as of March 12, 2020, with an uncertain re-opening date, and Off and Off Off […]
[Full article published in UrbanExcavations May 26, 2020, by Martha Wade Steketee.] Isabella Byrd has chased the light in her stage designs around the country in recent years, several of […]
My travels this year were limited compared to travel in prior years: several days in Washington DC (where i lived in the late ’90s and early 2000s), ATCA-related trips to […]
I lived thousands of hours in roving artistic communities that move from theater to reading room to cabaret venue in the course of 2019. By my rough count, during 2019 […]
I squeezed adventures in Norway, Sweden, the wilds of central Wisconsin, Georgia, Massachusetts, and Rhode Island into 2018, a year of paring, sifting and sorting of involvement on professional boards […]
Live and filmed performances, as well as readings of works in progress, filled my days in calendar year 2018. I usually attend solo, and yet often host my spouse or […]
Simplifying, complicating, simplifying again. This has been a year of expanding and paring involvement on professional boards and projects, resuming old roles and assuming new ones. I continue into 2018 […]
Public performances in calendar year 2017, live or filmed, were many and thrilling, with new talents and old familiars, in large venues and intimate spaces. By my rough count, during […]