Public performances in calendar year 2017, live or filmed, were many and thrilling, with new talents and old familiars, in large venues and intimate spaces. By my rough count, during […]
Public performances in calendar year 2017, live or filmed, were many and thrilling, with new talents and old familiars, in large venues and intimate spaces. By my rough count, during 2017 I saw 290 theatrical productions (including a few staged readings) and 24 cabaret performances (basically a singer and musicians in a club setting, singing a set list). A paltry number of film screenings, compared to prior eras of my life, are also listed here, and I hope to up these numbers in the upcoming year.
Some particular favorites, for a variety of reasons, are highlighted in bold among the full listing below. All these performances have elements that charm, haunt, and define what keeps me going to the theater almost every night.
I look forward to much more of the same in 2018, and to writing stories already pitched and stories yet to be imagined.
January
(1/1) A Revolutionary Impulse: The Rise of the Russian Avant-Garde (exhibit, MOMA)
(1/4) The Humans (Schoenfeld) [4th visit in 12 months — three theaters, Off Broadway to Broadway, same ensemble]
(1/5) Marilyn Maye By Request (Metropolitan Room)
(1/6) Manifesto (Park Avenue Armory)
(1/6) Baby Mama: One Woman’s Quest to Give Her Child to Gay People (Caps Lock | IRT)
(1/8) ReconFIGUREd (Honest Accomplice | The Tank)
(1/8) Ute Lemper (Feinstein’s / 54 Below)
(1/10) The Present (Barrymore)
(1/12) Made in China (Wakka Wakka | 59E59 )
(1/14) The Oregon Trail (WP | McGinn Cazale)
(1/15) ARE YOU SERIOUS?: A Woman of a Certain Age Inquires (Cornelia Street Cafe)
(1/18) Orange Julius (Rattlestick)
(1/20) PEER GYNT & the Norwegian Hapa Band (Ma-Yi | A.R.T./New York Mezzanine)
(1/22) Jitney (MTC | Friedman)
(1/23) Author Directing Author (La MaMa | Ellen Stewart)
(1/24) Yours Unfaithfully (Mint | Theatre Row Beckett)
(1/29) Georgie: My Adventures with George Rose (Davenport | Loft)
(1/29) Our Lady of 121st Street (Actors Studio)
(1/31) The Stephen Colbert Show (Ed Sullivan Theatre, filming)
February
(2/1) Fade (Primary Stages | Cherry Lane)
(2/4) Yen (MCC | Lortel)
(2/5) The Mother of Invention (Abingdon)
(2/7) Jonah and Otto (Lion | Theatre Row)
(2/9) Sight Unseen (Access)
(2/10) The Object Lesson (NYTW)
(2/11) On the Exhale (Roundabout | BlackBox)
(2/14) Paramour (Lyric)
(2/15) Fish Men (Intar)
(2/16) Sunset Boulevard (Palace)
(2/17) Turning Page (Dixon Place)
(2/18) Morning in America (Primary Stages | Cherry Lane)
(2/18) Latter Days (Theater 511)
(2/19) Kunstler (59E59)
(2/22) Nebraska (Second Stage | Tony Kiser)
(2/24) Careers Beyond Academia (panel member, Department of Performing & Media Arts, Cornell, Ithaca NY)
(2/25) Evening at the Talk House (Signature)
(2/26) If I Forget (Roundabout| Laura Pels)
(2/26) The Skin of Our Teeth (TFANA, Brooklyn)
(2/28) Dolphins and Sharks (Labyrinth)
March
(3/1) Wakey Wakey (Signature)
(3/1) Everybody (Signature)
(3/2) Linda (New York City Center)
(3/3) Penitent (Atlantic | Linda Gross)
(3/4) The Town Hall Affair (Performing Garage | Wooster Group)
(3/5) Kidnap Road (La MaMa)
(3/5) The Outer Space (Joe’s Pub)
(3/6) Reviewing the Situation: Producing Theater and Cultural Awareness (LMDA event on criticism, culture, and public response, Castillo Theatre)
(3/8) Red Bike (Lark, reading)
(3/9) Panel: Celebrating the 10th Anniversary of the Yale Drama Series + What Playwrights Talk About When They Talk About Writing by Jeffrey Sweet (Yale, New Haven)
(3/10) Town Hall (Lark, reading)
(3/10) Sundown Yellow Moon (Ars Nova + WP | McGinn-Cazale)
(3/11) Come From Away (Gerald Shoenfeld)
(3/12) 9 Circles (Sheen Center)
(3/12) White Guy on a Bus (59E59)
(3/13) The Last Days of Judas Iscariot (The Actors Studio | La MaMa)
(3/15) Significant Other (Booth)
(3/15) When It’s You (Keen | Clurman Theatre Row)
(3/16) Chess Match No. 5 (June Havoc)
(3/17) Joan of Arc: Into the Fire (Public)
(3/18) The Light Years (Playwrights Horizons)
(3/18) Kid Victory (Vineyard)
(3/19) The Other Plays (Breaking Through Barriers | A.R.T./New York Theatres)
(3/19) God of Vengeance (New Yiddish Rep at Theatre at St. Clement’s)
(3/20) Villa (PlayCo | Wild Project)
(3/21) The Price (Roundabout | American Airlines)
(3/22) The Gravedigger’s Lullabye (TACT | Beckett Theatre Row)
(3/23) How to Transcend a Happy Marriage (LCT | Mitzi E. Newhouse)
(3/24) The Moors (Playwrights Realm | Duke on 42nd Street)
(3/25) The Bourgeois Oligarch (reading, HERE)
(3/25) Church & State (New World Stages)
(3/26) All the Fine Boys (Signature)
(3/27) Inside Indecent (panel discussion, Drama League)
(3/29) Sweat (Roundabout | Studio 54)
(3/30) Vanity Fair (Pearl)
April
(4/1) Latin History for Morons (Public | Anspacher)
(4/1) American Mill No. 2 (A.R.T./New York Theatres)
(4/2) How to Hamlet, or Hamleting Hamlet (Theater Reconstruction Ensemble | HERE)
(4/4) Gently Down the Stream (Public)
(4/5) The Play That Goes Wrong (Lyceum)
(4/6) Amelie (Walter Kerr)
(4/7) Cry Havoc! (New Ohio)
(4/8) Her Opposition (Theater Center)
(4/9) Come Back Little Sheba (Gym at Judson)
(4/9) Picnic (Gym at Judson)
(4/11) Glass Menagerie (Belasco)
(4/13) War Paint (Nederlander)
(4/14) Present Laughter (St. James)
(4/15) Samara (Soho Rep | A.R.T./New York Theatres)
(4/15) Angel & Echoes (59E59)
(4/17) The Lightning Thief (Lucille Lortel)
(4/18) Picnic (Gym at Judson)
(4/19) Indecent (Cort)
(4/20) The Little Foxes (Linney as Regina, Friedman)
(4/22) The Assignment (Houses on the Moon | A.R.T./New York Theatres)