I am one voice among two dozen signatories to this piece that addresses selected critical response to several New York shows in the 2016-2017 season, and raises some questions about the range […]
A Collective Call Against Critical Bias
2016: excavation review themes
After six annual marathons captured in “what Martha has seen” lists of theater and film adventuring (2011, 2012, 2013, 2014, 2015, 2016), I’ve learned a few things. I’ve learned that sometimes theater […]
Stretching the Canvas in Ethan Lipton’s Tumacho
[article originally published in HowlRound, September 6, 2016.] Playwright and lyricist Ethan Lipton creates fun theatrical worlds and lyric-driven music about socially-relevant topics. In Red Handed Otter, for example, produced by The Playwrights Realm […]
Shared Vocabulary and Puppetry in Ramesh Meyyappan’s Butterfly
[article originally published in HowlRound, June 21, 2016.] Theatremaker Ramesh Meyyappan has opinions about the cultural position of “deaf” or “signed” theatre and its role in his own art including his most recent […]
Barriers, Needs, and Next Steps: A Convening on the State of Deaf Theatre-Making
[article originally published at HowlRound April 6, 2016.] Several dozen artists, administrators, academics, funders, and advocates assembled on the afternoon of January 20, 2016 in the BareBones Studio of the Lark Play […]
Subversively Smart and Turning the Tide: Lauren Gunderson’s Women Heroes
[article originally published at HowlRound March 15, 2016.] I and You, which recently closed a well-received co-production from Merrimack Repertory Theatre (MRT) in Lowell, Massachusetts and Richard Winker at 59E59 in Manhattan, is […]
History, Legacy, and Light: The Consciously-Embodied Art of Erica Fae
[article originally published in HowlRound March 12, 2016.] Erica Fae, barely into her forties, has been making theatre for over three decades. You can see her on television as a nude psychiatric asylum inmate […]
