[article originally published in HowlRound, September 8, 2017.] Ethan Lipton has assembled a creative family of musicians and designers who have worked with him on a series of projects in New York and around […]
I am one voice among two dozen signatories to this piece that addresses selected critical response to several New York shows in the 2016-2017 season, and raises some questions about the range […]
After six annual marathons captured in “what Martha has seen” lists of theater and film adventuring (2011, 2012, 2013, 2014, 2015, 2016), I’ve learned a few things. I’ve learned that sometimes theater […]
[article originally published in HowlRound, September 6, 2016.] Playwright and lyricist Ethan Lipton creates fun theatrical worlds and lyric-driven music about socially-relevant topics. In Red Handed Otter, for example, produced by The Playwrights Realm […]
[article originally published in HowlRound, June 21, 2016.] Theatremaker Ramesh Meyyappan has opinions about the cultural position of “deaf” or “signed” theatre and its role in his own art including his most recent […]
[article originally published at HowlRound April 6, 2016.] Several dozen artists, administrators, academics, funders, and advocates assembled on the afternoon of January 20, 2016 in the BareBones Studio of the Lark Play […]
[article originally published in HowlRound March 15, 2016.] I and You, which recently closed a well-received co-production from Merrimack Repertory Theatre (MRT) in Lowell, Massachusetts and Richard Winker at 59E59 in Manhattan, is not […]
