1951 session with Florence Vandamm (far right) and on stage (L-R) John Emery + Katharine Cornell + Brian Aherne in “The Constant Wife” — part of the 2013-2014 NYPL exhibit […]
1951 session with Florence Vandamm (far right) and on stage (L-R) John Emery + Katharine Cornell + Brian Aherne in “The Constant Wife” — part of the 2013-2014 NYPL exhibit “Pioneering Poet of Light: Forence VanDamm & the Vandamm Studio”
I’ve had a several-month hiatus from frequent writing posted here but have published frequently elsewhere and will muse about that in a subsequent post about a range of adventures. I aspire to re-up the posting energy in 2015, with a big push provided by a London theater and research adventure in early January.
I’ll wind up 2014 with my now annual summary of attendance at live performances of all kinds. This 2014 calendar year listing includes portions of two New York theatrical seasons: 2013-2014 (January-April 2014) and 2014-2015 (May-December 2014). Drama Desk nominator attendance at Broadway, Off-Broadway and Off-Off Broadway venues exploded my theater adventures in 2012-2013, and 2013-2014 — through April 2014. As a non-nominator but still a critic and writer about theater, I continue my search for a new normal of attendance in New York, around the country and around the world.
January
(1/2) The Final Version (Nuyorican Poets Cafe)
(1/4) Tyson vs. Ali (3LD Art & Technology Center)
(1/6) So Into It with Damian & Anne (UCB East)
(1/8) Beautiful (Stephen Sondheim)
(1/9) Mercy Killers (Stella Adler Studio)
(1/10) Machinal (Roundabout American Airlines)
(1/11) The Surrender (Clurman)
(1/11) Year of the Rooster (Ensemble Studio Theatre)
(1/12) Ruff (La MaMa)
(1/12) Desperate Archives (exhibit: La MaMa’s La Galleria)
(1/12) Loot (Lucille Lortel)
(1/13) LPTW Oral History: Mercedes Ruehl (Bruno Walter Auditorium NYPL)
(1/14) Young Playwrights Conference Program B (Cherry Lane Studio)
(1/15) Grounded (Walkerspace)
(1/16) Antigone (Storm)
(1/17) Craving for Travel (Peter J. Sharp)
(1/18) King Lear (BAM Harvey)
(1/18) The Clearing (Theatre at St. Clement’s)
(1/19) Outside Mullingar (Samuel J. Friedman)
(1/19) The Glass Menagerie (Booth, 2nd visit)
(1/22) Row After Row (New York City Center)
(1/23) The Loneliness of the Long Distance Runner (Atlantic Stage 2)
(1/24) My Daughter Keeps Our Hammer (Flea)
(1/25) A Man’s a Man (CSC)
(1/25) Intimacy (The New Group @ Acorn)
(1/26) Dr. Dubois and Miss Ovington (Castillo)
(1/28) Panic at the Riverside Motel (Stage IV)
(1/29) Bronx Bombers (Circle in the Square)
(1/30) iLuminate (New World Stages)
(1/31) Almost, Maine (Gym at Judson)
February
(2/2) Riding the Midnight Express (St. Luke’s)
(2/3) I Call My Brothers (Playco @ New Ohio)
(2/4) The Woodsman (59E59)
(2/5) Hard Times (The Cell)
(2/7) Sex Tips for Straight Women from a Gay Man (777)
(2/8) Dinner with Friends (Roundabout Steinberg Center)
(2/8) The Correspondent (Rattlestick)
(2/9) The Faire (Fourth Street)
(2/10) DD Panel: Promoting Broadway (Triad)
(2/11) Philosophy for Gangsters (Beckett)
(2/12) The Tribute Artist (59E59)
(2/13) Transport (Irish Rep)
(2/14) My Mother has 4 Noses (Duke)
(2/15) Til Divorce Do Us Part (DR2)
(2/16) Love and Information (Minetta Lane)
(2/17) To the Bone (reading, Nola Studios)
(2/19) London Wall (Mint)
(2/20) Kunstler (reading, Shetler Studios)
(2/20) Middle of the Night (Clurman)
(2/21) Since Africa (14 Street Y)
(2/22) Sex Tips for Straight Women from a Gay Guy (777)
(2/22) The Shape of Something Squashed (Paradise Factory)
(2/23) Ode to Joy (Cherry Lane)
(2/25) Bikeman (Tribeca Performing Arts)
(2/26) Elaine Stritch: Shoot Me (screening, IFC Center)
(2/26) Bridges of Madison County (Schoenfeld)
(2/26) Kung Fu (Signature)
(2/27) Satchmo at the Waldorf (Westside)
(2/28) Anthony and Cleopatra (Public)
March
(3/1) Arlington (Signature)
(3/1) Stage Kiss (Playwrights Horizons)
(3/2) The Happiest Song Plays Last (Second Stage)
(3/2) Sex Tips for Straight Women from a Gay Man (777 Theatre)
(3/3) The Hero (Metropolitan Playhouse)
(3/4) Character Man (Urban Stages)
(3/5) The Open House (Signature)
(3/5) After Midnight (Brooks Atkinson)
(3/6) Art Shay’s Photography (Morrison Hotel Gallery)
(3/8) Hand to God (Lucille Lortel)
(3/8) No Exit (Pearl)
(3/9) The Architecture of Becoming (Women’s Project @ City Center)
(3/9) The Megile of Itzik Mangar (Baruch Performing Arts Center)
(3/11) A Doll’s House (St. Ann’s Warehouse)
(3/12) Rocky (Winter Garden)
(3/13) Nothing to Hide (Axis Theatre)
(3/14) Stockholm (59E59)
(3/15) Aladdin (New Amsterdam)
(3/15) Fast Company (EST)
(3/16) The Real Americans (Culture Project)
(3/16) The Junket (Culture Project)
(3/17) John Van Druten: A Writer’s Writer (panel, NYPL)
(3/18) Hellman v. McCarthy (Abingdon)
(3/19) Appropriate (Signature)
(3/19) All the Way (Neil Simon)
(3/20) Tales from Red Vienna (MTC @ New York City Center)