urban excavations

My year in theater involved viewing and vetting hundreds of shows, playscripts, designs, and performances; deliberating on awards committees; interviewing prospective and existing students at Harvard, my undergraduate alma mater; dramaturging for several playwrights on new work; and developing a short film about the life and career of Albert Poland, a foundational and important Garland fan. It was another year of collaboration, attendance, counting, and coalition building.

This is my FIFTEENTH annual “what Martha has seen” marathon record of theater/event/film adventuring, initiated after moving to Manhattan in summer 2010. A look back through my prior annual reviews: 2011, 2012, 2013, 2014, 2015, 2016, 2017, 2018, 2019, 2020, 2021, 2022, 2023, and 2024. 

Theater by the Numbers. This year’s number of productions (not readings, not screenings, not conference sessions) suggests that after the dramatic cliff drop we all experienced in 2020 and 2021, the theater world is now fully swinging, at least in terms of Drama Desk eligible Broadway, Off Broadway, and Off Off Broadway production we cover. My subjective and very personal totals over the past six calendar years: 300 ticketed and staged productions 2019, 59 in the 2020 partial theatrical season covid-truncated on March 11, 80 productions in the just-emerging partial season of 2021 (that began in mid summer), 200 in 2022, 239 in 2023, and 244 in calendar year 2024, and 265 ticketed and staged theatrical productions in calendar year 2025 (including the final four months of the 2024-2025 season, and the first eight months of the 2025-2026 season). More to come!

Panels and Other Events. In June, I participated again on a “Tony preview” panel convened by the Coffee House Club, currently holding court at the Salmagundi Club, to mull over the Tony nominations and thoughts about who might win (and who the Drama Desk had already honored for the season) with Simon Jones, David Barbour, and Mark Rifkin. Also that month I was part of a panel convened by Maestra Music at the Museum of Broadway discussing “Gender Equity in Musical Theatre: Navigating a Changing Political Landscape.” In September, The I presented at the second annual RISE Summit held at the Bruno Walter Auditorium. RISE, a collaboration of advocates and practitioners working to build and ensure equity in the theater. This year’s Summit included “a series of panels and seminars led by AXIS Dance Company, Dance Data Project, Expand the Canon, The Harriet Tubman Effect Institute, Invest in Access, Parity Productions and Women Count, all correlating to this year’s theme of Pathways to Access.” Dance Data Project, Harriet Tubman Effect Institute, and my project with Judith Binus Women Count, presented a panel entitled “Data is Revolutionary.”

Travel and Visits. Few journeys out of town this year, but those I had were precious. In September as the new season was just getting on its feet, after a slow summer, we visited home towns and family members in Grand Rapids Michigan (my homeland) and Springfield, Ohio (husband’s childhood home). Both locales have received some national media attention (laughable and annoying in equal measure) over the terms of the current President, and both have solid Blue components that are strong and growing. In November beloved extended family visited from northern California and we all traveled up to Beacon, New York to visit art installations and ponder Hudson River possibilities. Three lovely days in DC later that month for husband’s American Society of Criminology meetings (his 40th year as a member of that group!) rounded out travels.

Board and Committee Service. I continue as webmaster for the American Theatre Critics/Journalists Association — managing posts and layout, connecting members to discussion forums coordinated on the site, and generally developing and coordinating the public and member-only content there. I serve on several ATCA grant-conveying committees, including Helbing Mentorship Program and the Steinberg/ATCA and Osborn playwrighting awards. And this past year I assumed the role of President of the Foundation of the American Theatre Critics Association, founded in 1991 to provide financial and other tangible support for scholarships, institutes, ATCA awards, education talks and seminars, and other programs.

I again served on the hardworking conference planning committee that assembled and delivered the November ATCANY2025 convening. In additional to general conference planning efforts, I arranged for the participation of Brittani Samuel as this year’s Perspectives in Criticism speaker (in conversation with Linda Armstrong) and moderated a terrific conversation “Liberation and Feminism and the Road to Broadway” with playwright Bess Wohl, director Whiney White, and actors Betsy Aidem, Susanna Flood, and Kristolyn Lloyd, maintained the conference webpage, and a final session at the terrific Museum of Broadway.

I continued as a member of the Henry Hewes Design Awards committee, deliberating upon and celebrating the awardees on the October 20, 2025 luncheon ceremony. And I worked almost daily and all season (May 2023-April 2024) as chair of the Drama Desk nominating committee, developing the nominees for the Drama Desk awards which were voted upon by the entire Drama Desk membership and awarded during a ceremony on June 10, 2024.

New Play Development. I worked with several playwrights on new play projects during the year. And I continued as committee member and judge for ATCA’s Steinberg-ATCA and Osborn Awards, member of the O’Neill National Playwrights Conference Artistic Council, and membership in the Literary Managers and Dramaturgs of the Americas.

Women Count. The eighth edition in the Women Count report series was published in July 2025, including the Women Count VIII executive summary and Women Count VIII full report. The Women Count project collects, analyzes, and reports New York City production credits to illuminate the individuals behind company productions beyond Broadway. The Women Count report series, published since 2014, asks: whose plays are being produced, who is directing them, and who is being hired for off-stage roles? Women Count VIII, the eighth report in the series, covers 24 companies and five seasons representing the breadth of the core database that begins with the 2010/11 season. In the current report, 2011/12 offers a baseline for comparison for the four most recent seasons 2021/22, 2022/23, 2023/24, and 2024/25. Across these five report seasons, 393 productions are analyzed including 13 co-productions among companies tracked by the study.

All reports from the past decade are available on the Women Count Reports Series home page, with all reports authored by me with data collection assistance provided by Judith Binus.

January

• (1/5) The 7th Voyage of Egon Tichy [redux] (UTR | NYTW Fourth Street Theatre)
• (1/6) Julie Halston Takes the Q Train (Birdland) (streaming)
• (1/9) Local Singles (The Players Theatre)
• (1/11) Mindplay (Greenwich House Theater)
• (1/12) Dead as a Dodo (Wakka Wakka | Baruch Performing Arts Center)
• (1/16) Grandiloquent (Lucille Lortel)
• (1/18) Radio Downtown: Radical ’70s Artists Live on Air (Civilians | 59E59 Theaters)
• (1/20) Kowalski (Duke on 42nd Street)
• (1/22) Beckett Briefs (Irish Repertory Theatre)
• (1/23) Cymbeline (NAATC + Play On Shakespeare | Classic Stage Company)
• (1/25) A Knock on the Roof (NYTW)
• (1/26) Dear Jack, Dear Louise (Penguin Rep + Shadowland Stages | 59E59 Theaters)
• (1/28) English (Roundabout | Todd Haimes Theatre)
• (1/31) The Antiquities (Playwrights Horizons)

February

• (2/1) My First Ex-Husband (Manhattan Movement & Arts Center)
• (2/3) Still (Sheen Center for Thought & Culture)
• (2/8) My Man Koko (A.R.T./New York Theatres)
• (2/9) Henry IV (TFANA)
• (2/11) ANYWHERE (HERE)
• (2/14) Liberation (Roundabout | Laura Pels)
• (2/16) No Reservation (Hess Collective | La MaMa)
• (2/18) Redwood (Nederlander)
• (2/19) Garside’s Career (Mint | Theatre Row)
• (2/21) Curse of the Starving Class (Pershing Square Signature Center)
• (2/22) The Irrepressible Magic of the Tropics (INTAR)
• (2/23) The Price (Theatre at St Clements)
• (2/25) On the Evolutionary Function of Shame (Second Stage Next Stage Festival | Pershing Square Signature Center)
• (2/26) Dakar 2000 (MTC | New York City Center I)
• (2/27) After Endgame: A Comedy Show About Chess (SoHo Playhouse)
• (2/28) The Audit + The American Dream (Urban Stages)

March

• (3/2) Conversations with Mother (Theater 555)
• (3/4) Deep Blue Sound (Clubbed Thumb | Public Theater)
• (3/5) All Nighter (MCC)
• (3/6) Ghosts (Lincoln Center Theater)
• (3/7) As Time Goes By (Out of the Box Theatrics | 154 Christopher Street)
• (3/8) SUMO (Public Theater)
• (3/8) The Jonathan Larson Project (Orpheum Theatre)
• (3/9) Grangeville (Signature Theatre Company)
• (3/10) Have You Met Jane Goodall And Her Mother? (Ensemble Studio Theatre)
• (3/11) Wounded (SoHo Playhouse)
• (3/12) A Streetcar Named Desire (BAM Harvey Theater)
• (3/13) Amerikin (Primary Stages | 59E59 Theaters)
• (3/14) Buena Vista Social Club (Gerald Schoenfeld Theatre)
• (3/15) Purpose (Hayes Theater)
• (3/15) Last Call (New World Stages)
• (3/16) Operation Mincemeat (John Golden Theatre)
• (3/17) Vanya (Lucille Lortel Theatre)
• (3/18) Maybe Tomorrow (A.R.T./New York Theatres)
• (3/19) Upside Down (AMT Theater)
• (3/19) The Great Privation (How to flip ten cents into a dollar) (Soho Rep at Peter Jay Sharp Theater at Playwrights Horizons)
• (3/20) The Return of Benjamin Lay (Sheen Center for Thought & Culture)
• (3/21) Wine in the Wilderness (Classic Stage Company)
• (3/22) Charles Busch: My Leading Ladies (54 Below)
• (3/23) Death Becomes Her (Lunt-Fontanne Theatre) repeat visit
• (3/26) Othello (Ethel Barrymore Theatre)
• (3/26) The Picture of Dorian Gray (Music Box Theatre)
• (3/27) A Conversation with Dean Claybaugh and Dean Dunne (Harvard alumni zoom)
• (3/27) the Trojans (Nancy Manocherian’s the cell theatre)
• (3/28) I Don’t Trust Adults (SoHo Playhouse)
• (3/29) We Had A World (Manhattan Theatre Club | New York City Center)

April

• (4/1) A Conversation with President Alan Garber (Harvard alumni reunion event, zoom)
• (4/1) Good Night and Good Luck (Winter Garden Theatre)
• (4/2) Cherry Orchard (St. Ann’s Warehouse)
• (4/3) All the Beauty in the World (DR2 Theatre)
• (4/3) Glengarry Glen Ross (Palace Theatre)
• (4/4) Sunset Boulevard (St. James Theatre) repeat visit
• (4/5) The Last Five Years (Hudson Theatre)
• (4/5) Stephen Sondheim’s Old Friends (Samuel J. Friedman Theatre)
• (4/6) Humpty Dumpty (Chain Theatre)
• (4/6) Becoming Eve (NYTW | Abrons Arts Center)
• (4/6) Amm(i)gone (The Flea Theater)
• (4/8) The Swamp Dwellers (Theatre for a New Audience)
• (4/9) John Proctor is the Villain (Booth Theatre)
• (4/10) Boop! The Musical (Broadhurst Theatre)
• (4/11) Irishtown (Irish Repertory Theatre)
• (4/12) Fight Night (Origin’s First Irish | 59E59)
• (4/12) minor*ity (WP Theater)
• (4/13) Glass. Kill. What If If Only. Imp. (Public Theater)
• (4/13) I’m Assuming You Know David Greenspan (Atlantic Theater Company | Atlantic Stage 2)
• (4/14) Two Sisters Find a Box of Lesbian Erotica in the Woods (Rattlestick + New Georges | HERE)
• (4/15) Hold Me in the Water (Playwrights Horizons)
• (4/16) Redwood (Nederland Theater) repeat visit
• (4/16) Smash (Imperial Theatre)
• (4/17) Floyd Collins (Lincoln Center Theater)
• (4/18) Pirates! The Penzance Musical (Roundabout | Todd Haimes)
• (4/19) Just in Time (Circle in the Square)
• (4/19) All the World’s a Stage (Keen Company | Theatre Row)
• (4/20) Danger and Opportunity (East Village Basement)
• (4/22) Rheology (Bushwick Starr + HERE | Bushwick Starr)
• (4/23) Maybe Happy Ending (Belasco Theatre) (repeat visit)
• (4/23) Real Women Have Curves (James Earl Jones Theatre)
• (4/24) Stranger Things: The First Shadow (Marquis Theatre)
• (4/26) Dead Outlaw (Longacre Theatre)
• (4/29) Grief Camp (Atlantic Theater Company | Linda Gross)
• (4/30) Five Models in Ruins, 1980 (Lincoln Center Theater)

May

• (5/1) The United States vs. Ulysses (Irish Arts Center)
• (5/3) Mystic Conversations (New Light Theater Project | Theatre Row)
• (5/4) The Black Wolfe Tone (Irish Repertory Theatre)
• (5/6) The Last Laugh (Brits Off Broadway | 59E59)
• (5/7) The Last Bimbo of the Apocalypse (New Group | Pershing Square Signature Center)
• (5/8) Ceremonies in Dark Old Men (Ceremonies in Dark Old Men (Peccadillo Theater Company + Negro Ensemble Company | Theatre at St. Clements)
• (5/10) The Imaginary Invalid (Moliere in the Park | LeFrak Center at Lakeside)
• (5/11) Maddie: A New Musical (The Players Theatre)
• (5/15) Lights Out: Nat “King” Cole (New York Theatre Workshop)
• (5/17) Goddess (Public Theater)
• (5/17) Bus Stop (Classic Stage Company)
• (5/18) O.K.! (INTAR Theatre)
• (5/19) The Chalk Garden (The Players, reading)
• (5/20) Cracked Open (Dream Big World Theatre | Theatre Row)
• (5/22) shellshocked (Brits Off Broadway | 59E59)
• (5/25) The Death of Rasputin (LMCC Arts Center at Governors Island)
• (5/28) Bowl EP (National Black Theatre + New Group + Vineyard | Vineyard)
• (5/29) The Imaginary Invalid (Red Bull Theater | New World Stages)
• (5/29) Lunar Eclipse (Second Stage | Pershing Square Signature Center)
• (5/30) A Freeky Introduction (Atlantic Theater Company | Stage 2)
• (5/31) Eurydice (Signature Theatre Company)
• (5/31) Much Ado About Nothing (Public Mobile Unit |Astor Place)

June

• (6/1) Drama Desk Awards Ceremony (Jack H. Skirball Center for the Performing Arts)
• (6/2) Theater World Awards (Hard Rock Cafe, 1501 Broadway)
• (6/3) The Wash (New Federal Theater | WP Theater)
• (6/4) Coffee House Club: Tony Preview (Salmagundi Club, panel presenter)
• (6/5) A Special Relationship (Brits Off Broadway | 59E59)
• (6/6) La Ternura (Repertorio Español)
• (6/7) Call Me Izzy (Studio 54)
• (6/7) Good Night, and Good Luck (live stream, CNN)
• (6/8) Prosperous Fools (Theatre for a New Audience)
• (6/9) Angry Alan (Studio Seaview)
• (6/10) New York Crown Reserve (visiting the crown of the Statue of Liberty)
• (6/11) Bear Grease (St. Luke’s Lutheran Church)
• (6/11) From Writer’s Rooms to Studio Deals: A Sitcom Writer’s Comedy Journey (Harvardwood, zoom seminar)
• (6/12) Pride & Prejudice (Brits Off Broadway | 59E59)
• (6/13) A Letter To Lyndon B. Johnson or God: Whoever Reads This First (Soho Playhouse)
• (6/14) At the Barricades (What Will the Neighbors Say? | MITU5580)
• (6/15) Prince Faggot (Playwrights Horizons | Peter Jay Sharp Theater)
• (6/16) Chiaroscuro (Flea Theater)
• (6/17) Dilaria (DR2 Theatre)
• (6/18) Duke & Roya (Lucille Lortel Theatre)
• (6/20) lowcountry (Atlantic Theater Company | Linda Gross)
• (6/21) Trophy Boys (MCC Theater)
• (6/21) ha ha ha ha ha ha ha (Woolly Mammoth Theatre Touring Production | Public Theater)
• (6/22) Breakin’ NYC (Theater 555)
• (6/22) All’s Well That Ends Well (NY Classical Theatre | West 103rd & Central Park West)
• (6/23) Mozart’s Don Giovanni (The Cutting Room)
• (6/25) New Ideas for Musical Theatre Creators (Maestra + NYC Music Month panel presenter)
• (6/26) Wesley (The Theater Center)(6/29) Los Soles Truncos (Repertorio Español)
• (6/26) Machinal (New York Theatre Company | New York City Center II)
• (6/28) the Man who Shot Liberty Valance (Gene Frankel Theatre)
• (6/29) Los Soles Truncos (Repertorio Español)
• (6/30) Duke & Roya (Lucille Lortel Theatre) [return visit]

July

• (7/1) Out of Order (East Village Basement)
• (7/2) Beau the Musical (154 Christopher Street)
• (7/6) Heathers (New World Stages)
• (7/10) Open (WP Theater)
• (7/12) The Weir (Irish Repertory Theatre)
• (7/13) Polishing Shakespeare (Twilight Theatre + Kitchen Theatre | 59E59 Theaters)
• (7/18) ta-da! (Greenwich House Theater)
• (7/19) Joy: A New True Musical (Roundabout | Laura Pels)
• (7/20) Rolling Thunder (New World Stages)
• (7/23) Ginger Twinsies (Orpheum Theatre)
• (7/25) Peet and Me (SoHo Playhouse)
• (7/26) Gene & Gilda (Penguin Rep Theatre | 59E59 Theaters)
• (7/27) Memnon (Classical Theatre of Harlem | Richard Rodgers Amphitheater)
• (7/31) Can I Be Frank? (SoHo Playhouse)

August

• (8/2) Well, I’ll Let You Go (The Space at Irondale)
• (8/6) Ava: The Secret Conversations (New York City Center I)
• (8/7) The Day I Accidentally Went to War (SoHo Playhouse)
• (8/10) Lord Nil: 7 Deadly Sins (Stage 42)
• (8/12) Mamma Mia! (Winter Garden Theatre)
• (8/13) Jeff Ross: Take a Banana for the Ride (Nederlander Theatre)
• (8/15) Amaze (New World Stages)
• (8/17) Twelfth Night (Delacorte Theater)
• (8/24) Alan Turing and the Queen of the Night (The Players Theatre)
• (8/25) Exorcistic: The Rock Musical (Asylum NYC)
• (8/28) The Whole of Time (The Brick)

September

• (9/1) we come to collect: a flirtation, with capitalism (The Flea Theater)
• (9/3) Sober Songs (Theatre Row)
• (9/5) House of McQueen (Mansion at Hudson Yards)
• (9/6) Brothers Size (The Shed)
• (9/7) Color Theories (Performance Space New York)
• (9/9) Data is Revolutionary (panel presenter, RISE Summit 2025 | Bruno Walter Auditorium)
• (9/10) Wild Duck (Theatre for a New Audience)
• (9/12-17) Trip to Ohio and Michigan (Springfield and Grand Rapids)
• (9/18) This is Not a Drill (Theater at St. Jean)
• (9/19) Slanted Floors (apartment in Greenpoint, Brooklyn)
• (9/20) Mexodus (Minetta Lane Theatre)
• (9/21) Weather Girl (St. Ann’s Warehouse)
• (9/23) The Essentialisn’t (Movement Theatre Company | HERE Arts Center)
• (9/24) Waiting for Godot (Hudson Theatre)
• (9/25) Caroline (MCC Theater)
• (9/26) This Much I Know (59E59 Theaters)
• (9/26) Last Call, a play with cocktails (En Garde Arts | private apartment Central West Side)
• (9/27) This is Government (59E59 Theaters)
• (9/27) The Honey Trap (Irish Repertory Theatre)
• (9/28) The Other Americans (Public Theater)
• (9/29) Holes in the Shape of My Father (The Tank)
• (9/30) Art (Music Box Theatre)

October

• (10/1) And Then We Were No More (La MaMa)
• (10/2) Torera (WP Theater)
• (10/3) Punch (MTC | Samuel J. Friedman Theatre)
• (10/4) Crooked Cross (Mint | Theatre Row)
• (10/4) Saturday Church (New York Theatre Workshop)
• (10/5) Home? A Palestinian Woman’s Pursuit of Life, Liberty & Happiness (59E59 Theatres)
• (10/6) Bull (JACK)
• (10/7) Weer (Cherry Lane Theatre)
• (10/9) The Pitch (The Actor’s Temple)
• (10/10) The Porch on Windy Hill (Urban Stages)
• (10/11) Let’s Love! (Atlantic Theater Company)
• (10/11) The Least Problematic Woman in the World (Lucille Lortel Theatre)
• (10/12) Nothing Can Take You From the Hand of God (Playwrights Horizons)
• (10/12) Gwyneth Goes Skiing (SoHo Playhouse)
• (10/14) Are the Bennet Girls OK? (Bedlam | West End Theatre)
• (10/15) Truman vs. Israel (Theatre at St. Clements)
• (10/15) Ragtime (LCT | Vivian Beaumont Theater)
• (10/16) Blue Cowboy (The Bushwick Starr)
• (10/17) Not Ready for Prime Time (Grove House Productions | MCC Theater Space)
• (10/18) (un)conditional (SoHo Playhouse)
• (10/19) Oh Happy Day! (Public Theater)
• (10/20) Tartuffe (House of the Redeemer) [André De Shields out, need to return]
• (10/21) Counting What Counts: Co-Creating Data Frameworks for Theaters of Color (panel member, TCG virtual session on 2022 survey of theaters of color)
• (10/21) Joyce Vance in Conversation with Preet Bharara: Giving Up Is Unforgivable (92nd Street Y relocated to Redeemer East Side East 91st)
• (10/22) A Midsummer Night’s Dream (The Resident Acting Company | Sheen Center for Thought & Culture)
• (10/23) Dreadful Episodes (Happenstance Theater | 59E59 Theaters)
• (10/24) Little Bear Ridge Road (Booth Theatre)
• (10/25) Sulfur Bottom (The Theater Center)
• (10/25) Liberation (James Earl Jones Theatre)
• (10/25) Murdoch: The Final Interview (Masterworks Theater Company | Theater 555)
• (10/25) The Art of Leaving (Pershing Square Signature Center)
• (10/27) Linda Armstrong: Celebrating 40 Years of New York Theater Criticism (NYPL | Bruno Walter Auditorium)
• (10/28) Playing Shylock (Theatre for a New Audience)
• (10/29) Other (Greenwich House Theater)
• (10/30) Hannah Senesh (National Yiddish Theatre Folksbiene | Theatre Row)
• (10/30) Kyoto (LCT | Mitzi E. Newhouse Theater)
• (10/31) Beau the Musical (Theatre at St. Luke’s)
• (10/31) Romy & Michele: The Musical (Stage 42)

November

• (11/1) Reunions (New York City Center II)
• (11/1) Did You Eat? (Ma-Yi | Public Theater)
• (11/2-3) Beacon, New York with Hayden and Katie (The Roundhouse and art venues)
• (11/4) Oratorio for Living Things (Signature Theatre Company)
• (11/5) Endgame (Irish Arts Center)
• (11/6) Heaux Church (Ars Nova)
• (11/7-9) ATCANY2025 | New York City Annual Conference 2025
• (11/7) The Queen of Versailles (St. James Theatre)
• (11/8) Richard II (Astor Place Theatre)
• (11/8) The Baker’s Wife (Classic Stage Company)
• (11/9) Queens (New York City Center I)
• (11/9) Don’t Vape! The Grease Parody (Theater 555)
• (11/10)Tartuffe (House of the Redeemer) [return visit to see André De Shields]
• (11/11) Archduke (Roundabout | Laura Pels Theatre)
• (11/12) Baile Cangrejero (Puerto Rican Traveling Theater)
• (11/12) Chess (Imperial Theatre)
• (11/13-15) American Society of Criminology annual meeting (Washington, DC)
• (11/16) This World of Tomorrow (The Shed)
• (11/16) The Seat of Our Pants (Public Theater)
• (11/17) Oedipus (Studio 54)
• (11/19) Two Strangers (Carry a Cake Across New York) (Longacre Theatre)
• (11/19) Laowang: A Chinatown King Lear (Primary Stages | 59E59 Theaters)
• (11/20) The 25th Annual Putnam County Spelling Bee (New World Stages)
• (11/20) The Importance of Doing Art (59E59 Theaters)
• (11/21) Meet the Cartozians (Second Stage | Pershing Square Signature Center)
• (11/22) Pygmalion (Gingold Theatrical Group | Theatre Row)
• (11/23) The Burning Cauldron of Fiery Fire (Vineyard Theatre)
• (11/23) The Wasp (Little Engine Theater | private loft)
• (11/24) Messy White Gays (Duke on 42nd Street)
• (11/25) The Surgeon and Her Daughters (Theatre 154)
• (11/26) What If they Ate The Baby? (SoHo Playhouse)
• (11/28) Gruesome Playground Injuries (Lucille Lortel Theatre)
• (11/29) 44 The Musical (Daryl Roth Theatre)
• (11/29) Practice (Playwrights Horizons)
• (11/30) Initiative (Public Theater)

December

• (12/1) A Bodega Princess Remembers La Fiesta de los Reyes Magos, 1998 (Ensemble Studio Theatre)
• (12/2) Gotta Dance (York Theatre | Theater at St. Jean’s)
• (12/3) A Christmas Carol (Old Vic | PAC NYC)
• (12/3) Diversion (Studio Theater Barrow Group Performing Arts Center)
• (12/4) Marjorie Prime (Second Stage | Hayes Theater)
• (12/6) It’s A Wonderful Life (Irish Repertory Theatre)
• (12/7) Dirty Books (Bated Breath Theater)
• (12/8) The Yellow Wallpaper (The West End Theatre)
• (12/12) Predictor (AMT Theater)
• (12/14) Tartuffe (New York Theatre Workshop)
• (12/16) Anna Christie (St. Ann’s Warehouse)
• (12/17) Picnic at Hanging Rock (Greenwich House Theater)
• (12/18) Night Stories (Wild Project)
• (12/19) Amahl and the Night Visitors (Mitzi E. Newhouse Theater)
• (12/20) Richard II (Astor Place Theatre) (return visit)

© Martha Wade Steketee (December 31, 2025)